 1
|  2 Prelude: "A woman's work is never done"
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 3 Prelude: "Point taken"
|  4 Prelude: Pause from work.
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 5 Prelude: Another servant cum handywoman.
|  6 The 'Overseer' oversees. Sung by MIRIAM MURPHY
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 7 Prelude: A servant defends Elektra's views.
|  8 Elektra's sole supporter.
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 9 Trying some DIY repairs.
|  10 Another servant holds forth on Elektra's bizarre behaviour.
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 11 Descending into the servant's quarters.
|  12 Elektra (sung by SUSAN BULLOCK) addresses the spirit of Agamemnon.
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 13
|  14 Elektra with the bust of her murdered father.
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 15 Elektra with the bust of her murdered father.
|  16 Elektra sings of her forthcoming retribution.
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 17 Elektra imagining the eventual dance of victory.
|  18
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 19 Chrysothemis (sung by ANNE SCHWANEWILMS) arrives to warn Elektra of their mother's intentions.
|  20 Chrysothemis describes Klytamnestra's decision to confine Elektra.
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 21
|  22 The sisters ponder their predicament.
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 23 Chrysothemis bewails Elektra's intransigence.
|  24 Iconographic representation of the decadence in the palace.
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 25 The Overseer throws her weight around.
|  26 Klytämnestra (sung by JANE HENSCHEL) appears with her Confidante.
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 27 Decadence reigns.
|  28
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 29 Confidante with a representation of the reigning decadence.
|  30 Elektra with a bourgeois layabout.
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 31 Klytämnestra seeks comfort from an unsympathetic daughter.
|  32 Klytämnestra becomes agitated.
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 33 Confidante offers to give Klytämnestra a pick-me-up shot.
|  34 Having discarded her wig and dismissed her Confidante, Klytämnestra prepares to talk to Elektra.
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 35 Klytämnestra tries to make it up with Elektra - not very successfully!
|  36 Klytämnestra decides to mislead Elektra.
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 37 Elektra with the image of of the missing Orest.
|  38 Elektra promises Klytämnestra that blood will flow.
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 39 Chrysothemis arrives with the news of the arrival of strangers.
|  40 Chrysothemis announces that the strangers brought the news of Orest's death.
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 41 If true, Elektra realises that she and Chrysothemis must now avenge their father's murder.
|  42
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 43 Elektra tries to persuade Chrysothemis.
|  44 Elektra promises Chrysothemis to be her slave so long as she will help.
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 45
|  46 Chrysothemis vehemently declines to help.
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 47 A man enters the courtyard - somewhat unceremoniously....
|  48 ....and descends to where Elektra has recovered the axe to be used for her revenge.
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 49 The newly arrived stranger enquires to whom he is talking.
|  50
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 51 Elektra says who she is.
|  52 The stranger maintains his incognito as he cannot believe the wild woman before him is his sister.
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 53
|  54
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 55 Orest is recognised.
|  56
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 57
|  58 Elektra exults.
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 59
|  60
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 61 Elektra fondles the axe that Klytämnestra used to murder Agamemnon and that Orest should have used to kill Klytämnestra.
|  62 Elektra simulates the death of Klytämnestra
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 63 Chrysothemis and servants arrive on hearing the disturbance within the palace.
|  64 Elektra prevents them from entering the palace.
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 65 Aegisth (sung by Frank van Aken) arrives from a night on the town.
|  66 Elektra ensnares Aegisth with the lamp, showing him the way to the palace.
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 67 Elektra tells Aegisth the strangers are in the palace.
|  68 Aegisth reappears calling for help having been attacked.
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 69 The walls of the palace collapse revealing the body of Klytamnestra with Chrysothemis somewhat deranged by the turn of events having donned a bridal dress.
|  70
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 71
|  72
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 73 Chrysothemis exults.
|  74
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 75
|  76 Chrysothemis straddles the body of Aegisth.
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 77 Chrysothemis exults
|  78
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 79 The Götterdämmerung-like ending.
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