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LectroCollagePartofOurStory
Album by Margaret Sekelsky. 1 - 16 of 67 Total. 31 Visits.
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Shown (L to R:)  Scott Osowski, Boom 1 Marlowe Taylor, CAS, AMPAC and Jeffrey Williams, Sound Utility.

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Extreme Adventures with Evan B. Stone, Expedition Unknown, and Lectrosonics

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Production Sound Mixer Lawrence Chick on the set of the Feature Film, "Don't Look at the Demon."

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Documentary Sound Specialist Igor Marlot Goes Global with Lectrosonics
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Location Sound Specialists Bruner Dyer and Jeff Asell Take Lectrosonics to Flavortown
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Production Sound Pro Jeff McClain Goes Underground with Lectrosonics
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Toronto’s Taylored Sound Sews Up Sports, Documentaries, and Commercials with Lectrosonics

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Atlanta Sound Mixer Aaron "Cujo" Cooley Builds out Remote Workflow Combining Lectrosonics Digital and Legacy Products

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Sacramento Sound Mixer Donovan Murphy Takes Lectrosonics to Dizzying Heights
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Juan Cisneros and his Team at Sound695 Trust Hulu’s ‘Pam & Tommy’ Docuseries to Lectrosonics. (L to R:) Scott Marshall; Gary Boatner; Estuardo “S2” Galvez.
Sitting: Juan Cisneros, CAS

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Chicago’s Valhalla Media and Second City Sound Team Up for Innovative Live Stream Opera Production with Lectrosonics

Photo by Justin Barbin, courtesy of Chicago Opera Theater.

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Production Sound Mixer Rob Smith Takes to the Skies with Lectrosonics on Starting Strong
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Canada’s Audio Process Goes All Digital with Lectrosonics. (L to R:)
Ryan Altschuler and Rob Morrice.
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Michael Filosa, CAS working on Cobra Kai, Season 3, in Okinawa near the highest point of the island -  featuring a Loaded Lectrosonics VR Field and a pair of Lectrosonics ALPS 650 antennas
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Soundmixer Paul Pouthier on the set of The Americans
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Sound Mixer Roland Winke on the set of The Queen's Gambit
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