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 Dinah Hoyt Taylor | Home > 
My Studio
Here are photos of my studio and my new bench I just finished this spring.
Date(s): Mar 20, 2011. Album by Dinah Taylor. Photos by Dinah Taylor. 1 - 421 of 421 Total. 1700 Visits.
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Started at 9:30am 4/3/13 cut out initial

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taped cutout covered with brass sheet ready to roll out initial.

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buffed initial with compound and heated with torch to get shades on the copper.

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Filed all edges with two grades of files, then used 4 different grits of fine sanding until totally smooth.  Shaped on anvil.

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After final buffing and shaping before washing

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Cleaned up and ready to pack up to mail.

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Top-stamped inside with year and my marks.

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Ready to ship!  10:45am.  Print card, label, wrap, make box, take to mailbox.  11:15am.

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Copper handles for under sink cupboards
"I love these! What a great..."
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copper handles for pantry cupboards

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Fine Silver and Cultured Pearl Peas in a Pod Earrings.

For Melissa Hatfield, Ziaggo Sporthorses, TX


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1 1/2" from top of earwire.  All pieces hand formed and made.

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Finished bead cap attached to one end.

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Close up.

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my new necklaces, featuring my handmade clasps and bead caps.

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This is just one side of the necklace.

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Bead cap formed and polished.

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Underside of bead cap.

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Showing where it will go so it covers the know of the silk thread.

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Another photo of the cap and strands of one side of the necklace.

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Fold Formed Burdock Leaf with coral, labradorite, Cultured Pearl, and Trade Bead Necklace.  Hand made clasp.

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Set for Erin Buffaline Mechanicsville NY

2 1/2" Fine Silver Cuff with Czech flowers, matching Fine silver ring, Fold formed Heart Earrings, and Pendant.


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Erin's earrings for her set, all finished.

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backs

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hanging

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After final buffing with ear wires and bail.

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Back.  The color on the heart you see is reflection of the ceiling beams.

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After sawing out heart pendant (3" x 3") and earrings (1 1/2" x 1 1/2"), filing, sanding.

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After drilling holes for bails, and flowers, and hammering in ruffles.

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Back of pendant with stamps.

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Back of earrings with L and R so they are put on correct ears.

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Very dimensional, and will lay perfectly.

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test piece for Erin in Copper.  Not the metal or colors of flowers I'm going to use, but just to let you see what the form/design is.  Piece is 2 1/4" x 2 1/4". heart with twisted silver bail pendant.

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Set for E. Buffaline

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2 1/2" wide Fine Silver Fold Formed cuff with vintage Swarovski Beads wired on.

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I finally got around to figuring out what to do with the 1/2 cut steel belt buckle with the gorgeous Robins Egg Blue cabs.  I made it into a barrette for myself.  I had to remove the findings on the back, and file off the edges, and then wired on the barrette back.  This is 4" with a slight dome and 1 1/4" wide.

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Back

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from top.

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Shown with measurement paper.  This shows that it was made from the customers measurement paper.

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approved for cuff 5/27/12

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43*** and DHT

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Handmade and Sterling

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Copper Fold Formed Cuff with Swarovski Crystals, in hot pink, black diamond and tourmaline.  2" wide.

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Test cuff.

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Barrette for Mary Ann Wilson.

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Test piece for Erin Buffaline.

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Full Copper Fold Formed Bangle with Turquoise and Rock Crystal with Sterling ends.

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Balanced Coverage, Brass Fold formed cuff.  Love to wear this.

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Brass Fold formed Cuff with Garnet bicones, Peridot RS bicones, and rough rock crystal.

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All tools I've resurfaced, remade, or made for working metal

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white pieces are Delrin stakes used with metal hammers for antic last design.  I still have work to do on these, but it takes a long time with round large files.  This stuff is unbreakable.

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Surfaces are always polished after filing and sanding

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Prong and stone and bezel tools and one with a design on the edge-8 gauge copper

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Carpet tool that I use for cutting 1" stall mats, and opening folded metal.  The three wavy tools behind are called Sinusoidal stakes.  I made these out of in line engine punches from Sears.  They are 14'. 9" and 6", and made with a large welding torch and acetylene bending with a pr of vise grips , cooling slightly and creating another bend.  They have to be cooled by leaving alone, not quenched, then sanded and buffed because metal has to be formed over these, so they have to be smooth.

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Very sharp edge.  I've sliced myself on this before.

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8 gauge copper wire made into stamps, bezel setters, prong and stone setting tools.

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The 2Cent tool I use the most.  I'm not sure what it was used for, but I sharpened it to razor sharp, sanded and polished.  It is steel, and I use it to open prongs and then closing them with the back of this.  This is similar to an oyster and clam opening tool we used in SC on the boats, but I've made it much thinner.

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Back of my 'scorper' which is what I call it.

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Very thin, very very sharp.

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Erin Buffaline's ring.  Argentium .999 silver and Czech flowers.

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Trish Poe, Marshall VA, restring 16 strand seed pearl necklace.

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First 4 strands.

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Citrine, Sterling cage, Brass ring.

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Shane's Christmas cuff

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Sean's Christmas Cuff

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Erin's ring blank

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Red top, alternating gold and clear on bottom.
For Kat Finderson


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Cynthia Fore Miller's ring

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When I got this bracelet, it had several areas of Verdigris, and corrosion.

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This is the back

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Close up of the damage, after carefully removing as much of it as possible.  You can see the Verdigris has created a hole in one of the balls on the left side of the face panel on the left.

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After final hand sanding with 5 different fine grit cloths.

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Still showing corrosion and verdigris.  If left unchecked, and stored with other jewelry, this will spread and disintegrate other metals.  Although this is marked Sterling, the process of finishing in the pickle, was probably contaminated the sterling, and ended up plating it unknowingly.  You can see the hole in the ball better in this photo.

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After final buffing.

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Much better show of Sterling.  It will now be carefully stored in a baggie, and will develop a natural patina, which is NOT the same thing as Verdigris or Patina.  Patina is the natural oxidation by the air or wearing of the Sterling, which gives darker areas around the work.

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First 3 panels.

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mid section of bracelet.

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End of bracelet.

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Maker's mark.

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Back of bracelet.

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Vertical and clasped.

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Top view.

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3" x 2" copper fold formed leaves, and 12mm labrodite stone.

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backs of leaves

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Cuff from Gayla.  Lovely but a bit big-haha  The opening was about 3", so I knew it was going to have to be reformed.

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side view

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other side view.

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As you can see, this would work for a man but not most women.  It would have been about 9" or so.

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Finished cuff, formed to fit, and filed, sanded and buffed to 1500 grit, finished with Fabuluster.
"OMG,OMG,OMG Dinah this is ..."
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"I love this so much!"
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after pickling this is what I had.
"I cannot believe the trans..."
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I formed it to fit.
"great deconstruction expla..."
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inside, notice the thin lines around the top edge of the cuff.  This was a flat piece of stock that was soldered to another piece of stock that was pierced and sawn to create the design.

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After initial sanding with 320 grit.  You can see the lines, so I had to be really careful when annealling with the torch, so that the solder didn't melt.  I think they must have used hard solder, as it stayed in tact, but then just surface filed it with a jewelers file, and left it, so the edges were quite sharp and  coarse.

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This is about half way through the sanding, about 800 grit.

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It's getting better.

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Lines are starting to disappear.

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After micro papers about 1500.

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After polishing by hand with rubber grit stick

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Notice all the residue.  I washed in hot water and liquid soap with a battery powered toothbrush to remove the residue.

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Here are photos after it was cleaned up and I buffed it with Fabuluster and my buffing wheel.

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Unfinished ring on the side is going to be an open top box ring (these are made with an inner and outer ring with two sides, all soldered. I still have to hand saw the inside disk out, saw off the outside bottom plate, add the top plate, saw that off, add the stones, weave and solder the wire through weaving it so that the stones don't fall out.   This one will be an open top, with loose stones, and a sterling wire woven top.

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first side soldered on and inner and outer plate hand sawn off.  Then I placed it on the other plate, soldered and sawed it, drilled holes, and finished it before setting amber and wire.

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all finished.  Took lots of hand filing to smooth out all the edges.

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wire is soldered on one end inside, then pushed through one hole, through the bead, with a half knot and pushed down through the other side.

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on my little netsuke.

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Folded in half, brass heart for pendant.

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Before final buffing

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Final finished before bail.

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back.

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copper folded earrings before hammering.

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Finished, buffed.

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inside backs

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flat, before ear wires added.

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Sterling Silver Gallery Bezel set Agate on Sterling Silver 1 1/4" wide cuff.

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3 strands of 8gauge Sterling, Silver caps soldered on ends after twisting.  Preliminary finish.  Needs more.  3/8" diameter, 50 grams weight.

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Copper 6ga. twisted bangle for Sean with hammered ends and silver.  Funny how it resembles a horses head.  LOL

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2 3/8" long from top of ear wire, 1/2" at widest point, 3/8" deep, 4 dangling green cultured pearls.

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4" tall Anticlast Copper Cuff-After final buffing front

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Net Rolled Cuff with carnelian colored agate stone with bubbles-Name?

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mark inside back

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side view

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Deep red agate on hammered cuff-Name?
hot sun


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Front

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inside

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top

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mark

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Agate copper cuff, flame in the window.

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mark

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top

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front

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top

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brass, template, copper, tissue.  Template needs to be reversed.  The color printed logo, after it gets cut out, needs to face the brass, then the template, then the copper, then the tissue, taped together and then rolled.

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After turning copper over you can see the logo is facing the right direction.

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This is before sanding and buffing.  I'm using this as a test, but also as one of the wind chime clappers for Shane's windchimes.

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4" Fold Formed Cuff

for Daniel Day-Hamden, CT


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After final buffing front

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After final buffing

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before buffing top

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before buffing back

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before buffing front

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before buffing top

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before buffing

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Front after pickling

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Back inside after pickling

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Front after pickling

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Tools used for Dan Day's Cuff

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Final form before pickle pot sanding filing and buffing.

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front of final form

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graduations of forming cuff

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inside

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outside

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first form-this has been annealed 12 times because metal hardens and is unable to be worked without it.

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Front of first forming

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inside of first form

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annealing initial form which had to be changed

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first forming, had to be changed

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annealing after rolling

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rolling to reduce the gauge of metal

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after annealing first time

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first annealing

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Ready for first annealing

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The 14gauge pipe is 3" wide.  I was thinking of this the other day, but it's HUGE.  The copper piece behind is 4", the small copper piece is 2" and the brass cuff is 1 1/4".

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