Haskell Advertising Date(s): November 20, 2002. Album by Cathy Gordon. Photos by Cathy Gordon. 1 - 141 of 141 Total. 43432 Visits.
1 # 108
2 Pin from the 1930s with red glass beads, lovely yellow celluloid flowers and gilt metal leaves and flowers all wired to a straight metal bar pin. Unsigned Haskell.
3 #109
4 # 118
5 Pin from the 1930s of turquoise pate de verre beads and pearls mounted on gilt metal flowers. Straight pin back. Unsigned Haskell.
6 #166 [Sold]
7 #173
8 # 182
Photo courtesy of Lisa Kramer.
9 #219
10
11
12 #230
13 A cheerful daisy bracelet on yellow silk cord made of black and white flattened round glass beads and yellow glass bead centers, c. early 1940s. Unsigned Haskell.
14 # 248
Hand-written on bacK:
Navy and red clip and bracelet
15 #270 A [Sold]
16 Three wood bead bracelets c. WWII. Top left has round wood beads strung on elastic cord with dyed wood beads in round balls. Top right uses dyed square wood beads with larger flattened wood buttons to create a floral bouquet. The bottom wrap bracelet has a similar floral configuration strung on red silk thread covering wire. Unsigned Haskell.
17 Two pins and a clip of square wood beads in different colors, each tipped with a seed bead and nestled in glass leaves. Unsigned Haskell.
18 Dress clip of square wood beads formed into flower shapes and dyed various colors, pressed glass leaves of varying sizes and bright yellow glass bead centers. WWII era. Unsigned Haskell.
19 A similar dress clip in tan and chocolate brown. It is missing one floral dangel. Unsigned Haskell.
20 #278
21 #288
Photo courtesy of www.antiquehelper.com.
22 #295
23 Choker necklace of turquoise art glass beads and elaborate gilt metal findings. Clasp is open on the back. From the Haskell archive. Restrung by Millie Petronzio. Unsigned Haskell.
24 # 312 [Sold]
25 #348 dated 3/10/1937
26 Haskell unsigned "daisy" flower necklace Circa 1930s
Early Haskell necklace of white "daisies" made of white tube beads wrapped around metal forms and with yellow beads in each center. The irregular layout is typical of Frank Hess designs. All of the flowers are sewn to pale green silk cord and the clasp is a large dark green glass bead.
Haskell started making this line in the early 1930s (as evidenced by ads in Women's Wear Daily and the following advertisement, but it appears the line was made up into the WWII era.
27 Three white tube bead flowers shown in a WWD ad in 1938, in different sizes and leaf configurations. White glass tube beads wired over a dimensional pierced metal frame, bright yellow glass bead centers and pressed glass leaves. Unsigned Haskell.
28 #390 dated 1937
29 #403
Photo courtesy of www.antiquehelper.com.
30 #440
31 #445
32 Dress clip of rolled silk cord with two hanging butterscotch-colored bakelite balls. WWII era. Unsigned Haskell.
33 #486
34 #512
35 #512 back
36 # 554
Photo courtesy of Joanne Aldrich. Now owned by Jane Clarke of Morning Glory Antiques.
37 #572
38 # 574A -- Owned by Larry Vrba
some slight differences in this watercolor from #572, but basically the same.
39 Wrap bracelet and unusual silk cord belt. Haskell was extremely patriotic and, according to Deanna Farnetti Cera's book, created these for the New York World's Fair held in 1939. I believe that these were created during the early 1940s during WWII. Made of natural and painted mother-of-pearl in red, white and blue tones. See additional examples in Cera, pg 32. Unsigned Haskell.
40 Close-up of the wrap bracelet. All of the wrap bracelets were finished on the ends, usually with some sort of fancy metal cap.
41 Another picture of the wrap bracelet.
42 #589
43 Clip with a cascade of white glass beads, ending in red poured glass beads and enhanced with gilt metal flowers and leaves. WWII era.
44 Necklace of red art glass beads, gilt metal leaves and white beads (which originally were pearls). Unsigned Haskell.
45 #597
46 #608
47 #623 [Sold]
48 #626
49 # 632
50 #651
51 Miriam Haskell watercolor # 656
Marked on back: Loaned by Miriam Haskell for the display of Miriam Haskell jewelry.
52 #661 See watercolor number 348 above as well as picture of dress clips.
Photo courtesy of www.antiquehelper.com.
53 #667
54 # 680A [Sold]
55 Previous pin shown with a dress clip and pin made of same materials. One of the clips is from the 1930s, the pin is signed and from the 1950s. Top row unsigned Haskell, bottom row signed Haskell on a plaque.
56 # 685
57 # 696 [Sold]
58 Pate de verre beads imitating quartz frame a rose-colored glass bead, accented by a hot pink glass leaf. Clip from WWII. Unsigned Haskell.
59 # 7051 (705-1) # 7052 (705-2)
60 # 7051, #7052 back
61 # 712 [Sold]
62 # 731
63 # 733
64 # 743
65 # 754A
Photo courtesy of www.antiquehelper.com.
66 # 815
Photo courtesy of www.antiquehelper.com. Now owned by Jane Clarke of Morningglory Antiques.
67 Early necklace of taupe and rust-colored beads with a lovely clasp and center decoration made of gilt lily leaves and pate de verre beads in taupe, lime green and rust. One of my favorite necklaces to wear! Unsigned Haskell.
68 Two dress clips and a pin of pate de verre and wood beads, gilt metal leaves mounted on mother-of-pearl. Pin is from the late 1930s-early 1940s and the dress clips are WWII era. Unsigned Haskell.
69 Matching bracelet strung on elastic. Unsigned Haskell.
70 # 738A
71 # 816
72 # 842
73 # 857A
74 # 936
75 Three spezzati coral wrap bracelets showing different gilt metal findings. Circa 1938. See Cera pg. 74 for several examples of pins. Unsigned Haskell.
76 A selection of spezzati coral pins and clips, c., 1938. Her coral pieces tend to be very plain, usually only augmented by gilt metal findings of leaves and flowers. Unsigned Haskell.
77 Another spezzati coral pin, this one a long bar pin with "C" clasp. The gilt flowers are very typical. Unsigned Haskell.
78 #982 [Sold]
79 # 993
80 #1032
Photo courtesy of Joanne Aldrich. Now owned by Jane Clarke of Morning Glory Antiques.
81 # 1123D
82 # 1158
Morninggloryantiques.com has a similar watercolor though the jewelry is in turquoise marked # 1160. See below for Haskell Jewels watercolor in pearls.
83 # 1162A
84 # 1219B
85 No number
Photo courtesy of www.antiquehelper.com.
86 Miriam Haskell watercolor # 1231
87 # 1255
88 Parure from the 2nd half of the 1940s, consisting of 2 fur clips, a (signed) pin, festoon necklace and bracelet. Lots of gilt metal, including the ornate findings at the top of the beads. Blister pearls, glass beads in aqua and rose and rhinestone rondelles. The necklace is missing its spring-ring clasp. See Cera pgs. 90-91 for Larry Austin watercolor and picture of the necklace. Unsigned Haskell except for pin which has horseshoe plaque.
89 # 1271A
90 #1282A
Photo courtesy of www.antiquehelper.com.
91 # 1283A
92 #1586 (#158-6?)
93 #1644
Photo courtesy of www.antiquehelper.com.
94 An unusual silver-tone metal clip and earrings from the 1930s showing Haskell's interest in Aisan themes. Note that the metal flowers are the same as those used in picture #18 above, but the red glass and silver metal beads and findings set a totally different tone. Unsigned Haskell.
95 #1737A
Photo courtesy of www.antiquehelper.com.
96 No number. This is most likely one of the earliest ads based on the clothing and the full figure rather than just head and shoulders pose.
97 no number
98 no number
99 no number
100 Red and blue silk cord bracelet with red bakelite balls. This cord is the same used for the wire wrap bracelets--a piece of wire would be inserted in the cord. Unsigned Haskell.
101 no number
102 no number
103 no number
104 no number
105 no number
106 Wrap bracelet and clip with long gilt metal leaves and turquoise glass beads. Unsigned Haskell.
107 no number
108 Miriam Haskell watercolor advertisement. No number. Most likely had the silver paper Haskell tag in upper right.
109 No number.
110 no number
111 Wrap bracelet of aqua glass beads and a gilt metal floral centerpeice topped with pearls, roses montees and pink glass beads. Unsigned Haskell.
112 no number
113 No number
114 No number
115 No Number
Courtesy of Miriam Haskell Company New York, NY.
116 No Number
Courtesy of Miriam Haskell Company New York, NY.
117 No Number
Courtesy of Miriam Haskell Company New York, NY.
118 Garnet colored glass beads elastic bracelet with a central element of beads and two gilt metal arrows covered in seed beads. This bracelet is missing one strand. Unsigned Haskell.
119 Dress clip and earrings of cobalt blue glass beads and gilt metal arrows. Earrings are screw clips. Unsigned Haskell.
120 No Number
Courtesy of Miriam Haskell Company New York, NY.
121 No Number
Courtesy of Miriam Haskell Company New York, NY.
122 No Number
Courtesy of Miriam Haskell Company New York, NY.
123 No Number
Courtesy of Miriam Haskell Company New York, NY.
124 No Number
Courtesy of Miriam Haskell Company New York, NY.
125 Blue floral clip from WWII era. Initially, I thought the leaves were replaced, but have found other examples of these pressed glass leaves. Unsigned Haskell.
126 Three black flowers in a corsage. This pin has been substantially repaired due to damage. The red/green rhinestones are not original--they should be in small metal cups, which are no longer available. The glass leaves are also contemporary. Unsigned Haskell.
127 Haskell designed a line of dimensional flower-shaped pieces in 1938 and this lovely necklace is a terrific example. More of the pate de verre quartz-like beads, an elaborate beaded slide clasp mounded with pink and bright yellow beads. The center floral element consists of small glass tubes wrapped over a pierced metal 3-D form. Lovely (intact!) pressed glass leaves set off the flower. Unsigned Haskell.
128 Back of the floral element. This construction is very typical of her necklaces as well as the spring-wire bracelets. There are metal spacers that keep the necklace strands aligned and the beads and leaves are wired directly to the beads (no filigree element). Note the tube-shaped beads.
129 Another glorious example of the floral necklace style. The center elements came in many sizes (this one is 2 1/2" while the pink necklace element is 1 1/2"). Strong yellow and emerald green beads in several shapes, a mounded bead slide clasp and pressed glass leaves. Unsigned Haskell.
130 Back of necklace. You can see the 3-D pierced metal floral element. Necklace strands are wired directly to the pierced back. Note the oblong green bead spacers.
131 No Number
Courtesy of Miriam Haskell Company New York, NY.
132 Gray baroque pearl necklace and pin. The necklace has two elaborate elements of layered pressed glass flowers in rose, pale pink, aqua and amethyst colors, each with a central roses montees, then layers of glass leaves looking like mother-of-pearl. Tucked into both elements are pearls and complimentary colored rhinestones, rare as Haskell didn't use too many colored rhinestones in her early pieces. The necklace has a silver filigree slide clasp which is quite small for the weight that it carries! The pin uses similar elements. Unsigned Haskell.
133 Back of necklace elements showing metal plates that cover the wiring. The pin has a similar metal plate. These were used in the 1930s until WWII.
134 Two wrap bracelets in pristine condition using similar elements as the prior necklace/pin, but with an emphasis on different colors. Unsigned Haskell.
135 No Number.
Courtesy of Miriam Haskell Company.
136 Bracelet with silver metal floral findings and elaborate chains with rose, aqua glass beads, blister pearl, rondelles, rose montees. Box clasp is open on the back. From Miriam Haskell's private collection. Unsigned Haskell.
137 No number
Photo courtesy of www.antiquehelper.com.
138 Original business license for Miriam Haskell's gift shop at the McAlpin Hotel.
